Search for Frank

Whatever else 300 may be, it is destined to become beloved for a group of devotees. The size of that group will determine whether it achieves mainstream acceptance or attains cult status. Distilled to its essence, this is a graphic novel come to li...

300: Rise of an Empire is one of those unnecessary sequels that exists primarily because the previous installment made a lot of money. The lack of a creative driver behind the film leads to a level of fundamental dissatisfaction. The movie delivers...

Over a career that has spanned more than a half-century, Robert Redford has played his share of interesting and well-remembered roles, from The Sundance Kid (Butch Cassidy and the Sundance Kid) to Bob Woodward (All the President's Men) to Roy Hobbs...

Two elements comprise a comedy: content and composition. The first relates to what the joke is about; the second refers to how the joke is told. Good humor can be ruined by bad composition - think of someone who tells a "funny story" but messes up ...

The Best Man is not what it initially seems to be. Despite starting out with all the earmarks of a fairly ordinary romantic comedy, the project develops into a surprisingly effective look at a man's quest for rebirth after events topple him from a...

Certain expectations accompany any Adam Sandler film, although expectations have morphed over the years as Sandler has aged and attempted to broaden his target audience. Many of his best films, such as Paul Thomas Anderson's Punch Drunk Love, have ...

Bob Marley: One Love begins with an oddity: Ziggy Marley, the son of the title character and one of the film’s producers, appears on screen to inform viewers that what they’re about to see represents an “authentic” depiction of Bob Marley....

The Brady Bunch Movie, the natural culmination of a '90s revisionist Brady fad, is part homage and part parody. It takes the inimitable clan of eight and time-transports them, '70s attitudes and dress style intact, into 1995. Instead of being reg...

The era of the Universal classic monster movies lasted from 1931, when the studio released Dracula (featuring Bela Lugosi’s iconic portrayal), until 1948 when Abbott and Costello Meet Frankenstein took the venerable horror figures into parod...

Catch Me if You Can is the closest director Steven Spielberg has come to making a comedy since 1979, when his 1941 bombed at the box office. A jaunty caper movie inspired by real-life events, Catch Me if You Can never takes itself or its subjects ...