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Want to see a grown man cry? Take him to Marley & Me. Based on the best-selling and beloved memoir by former Philadelphia Inquirer columnist John Grogan, the movie ends in such a way that ensures there won't be a dry eye in the theater. By turns...

"In the last 20, 30 years, [Frankenstein has] been claimed by a whole generation of academics and scholars as a seminal piece of literature of that time. [It's] something which now, post-Freud, they feel reveals so many observations about family l...

If you’re in the mood for an overdose of (early) ‘80s nostalgia, Midnight Madness has your fix. Watching the film, which was made in 1980, offers a reflection of the kind of escapism that dominated the teen-oriented cinema of the era. Toda...

If David Lynch and David Mamet can do it, why not Danny Boyle? I'm talking about hard-R directors suddenly producing a film that is suitable for family viewing. Lynch and Mamet both went G several years ago (Lynch with The Straight Story and Mamet wi...

On those rare occasions when a great motion picture reaches multiplexes, the film critic must add another aspect to his or her job description: that of cheerleader. It is incumbent upon those of us who routinely dissect movies to applaud the arriv...

The Mist is what a horror film should be - dark, tense, and punctuated by just enough gore to keep the viewer's flinch reflex intact. In fact, that movie's ending is so uncompromising that one must assume director Frank Darabont had final cut so t...

It's a testimony to the enduring popularity of the story of Mutiny on the Bounty that it has been represented cinematically five times. In addition to the Oscar-winning 1935 production, which is arguably the best of the bunch, there are four other...

Beware Opening Night films at film festivals. More often than not, they disappoint. Such is the case with Christine Lahti's My First Mister, which was given the undisputed honor of opening the 2001 Sundance Film Festival. From audience members a...

In the middle of the summer movie season, when most films are designed with the intelligence of a seven year-old for viewers with the attention span of someone even younger, it's refreshing to find a picture like Out of Sight, which is not only...

Oz the Great and Powerful is director Sam Raimi's prequel to The Wizard of Oz. This new vision of The Land of Oz is an imaginative mix of live-action and CGI that pays homage to the iconic images and timeless sense of wonder in the classic The Wiza...