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Is this the future of blockbuster movies? Films made with more concern for the international box office than the domestic one, where the universal language is the clash of pixels? It’s no secret that, based exclusively on its U.S. receipts, ...

How's a studio to proceed when it wants to do something with a classic, family-friendly property but believes a straightforward remake to be redundant? The solution, as recently explored by several would-be franchises, is to expand the canvas. Ma...

I approached The Pink Panther 2 with the firm belief that, no matter how ill inspired it might be, it certainly couldn't be worse than its 2006 predecessor, which set a new low bar for all things Clouseau. In fulfilling those expectations, The Pin...

“A long time ago in a galaxy far, far away…” Perhaps those words don’t mean as much as they did a couple of decades ago but they still have the capacity to raise goose bumps. And, although Rogue One, the first so-called &ldqu...

Sahara takes the action/adventure story to new heights of preposterousness. In a way, that's not a bad thing, since it allows a certain level of guilty enjoyment. You're never expected to take anything in the movie seriously, because the characte...

One reason why Wes Craven’s 1996 slasher film, Scream, met with success was that Craven (and screenwriter Kevin Williamson) found a way to enliven things by incorporating a tongue-and-cheek “meta” aspect to the proceedings. In the course of ...

They say the third time's a charm. In the case of the Scream movie series, the Wes Craven/Kevin Williamson collaboration credited for having revived the slasher genre in the '90s, this cliché proves to be a falsehood. The most recent (and hopefu...