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Deconstructing: To write about or analyze in a way that questions traditional assumptions about certainty, identity, and truth, asserts that words can only refer to other words, and attempts to demonstrate how statements about any text subvert the...

Deep Water is a documentary, but it's also one part adventure film, one part Greek tragedy, and one part meditation on the role of the "hero" in modern society. The movie starts out with a seemingly simple premise: chronicle the first nonstop roun...

Wedding the phrase "Jerry Bruckheimer production" with the words "intelligent screenplay" might seem to be an unimaginable mismatch, but it has happened. Déjà Vu, the new thriller from Bruckheimer and director Tony Scott, impresses with both the...

I'm sure the story of bounty-hunter Domino Harvey would make for compelling cinema if only Tony Scott had decided to film it without the masturbatory excesses that are evident in Domino. Over-the-top doesn't begin to describe Scott's off-putting, ...

If I was looking for a single word to describe Enola Holmes, I’d probably settle on “charming.” That’s not because it features the best example of period-piece romance (although it shows signs of appealing to the rom-com crowd) or that...

Anton Fuqua’s sequel to The Equalizer fits right in with the version of Robert McCall (Denzel Washington) he introduced four years ago when he updated the ‘80s TV series for big screen consumption. This new Equalizer was more brutal than i...

When The Equalizer arrived on television in the 1980s, it was notable for two things: being the first Reagan-era show to lionize vigilantism and presenting an "advocate" who broke the Curtis Sliwa-inspired stereotypes. Edward Woodward's Robert McCa...

In the past few years, CGI animated films have fallen into a depressing rut. The objective has become getting a product out the door rather than taking the time and effort to produce something memorable. The result has been a generic, formulaic m...

For those steeped in the lore of what Friday the 13th would become, watching the first movie can be a little surprising. Many of the long-running series' staples are either absent or toned down from where they would evolve. The gore is surprising...

Throughout his career, Ridley Scott has assiduously avoided sequels, making only two: Hannibal (the follow-up to Jonathan Demme’s The Silence of the Lambs) and Alien: Covenant (the sequel to his own Prometheus). Gladiator II marks the third. ...