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The Hollywood remake train continues unabated, racing through signals as it dives underground into New York City's subways. At least it can be said that this, the third version of The Taking of Pelham 123 (following the 1974 feature and a 1998 mad...

Good comedy stands the test of time. Two of the funniest movies I recall seeing arrived in theaters during the early 1980s. One, Airplane, a spoof of the Airport series (and disaster movies in general), has withered on the vine of changing times....

It's a hard thing for a filmmaker, even an accomplished one, to make a project "his own" when the original is well remembered as a vehicle for a star as big as Arnold Schwarzenegger. A mere 22 years have passed since the Schwarzenegger/Paul Vehoeve...

In some ways, The Town can be considered a throwback, at least insomuch as any movie reflecting the approach of '80s and '90s cop dramas can be tagged with such a label. With a crisp, clear style and a focus on character, director Ben Affleck is a...

There are moments when True Things, a romantic melodrama about a toxic love affair, almost breaks through. But, in large part because it never coalesces the hazy vagueness surrounding the characters, it doesn't quite get there. The chemistry betwe...

Unstoppable, a 95-minute thrill ride from director Tony Scott, delivers the right level of adrenaline. Unfortunately, the sheer exhilaration is dampened somewhat by an overreliance upon action/thriller stock situations and characters. When the pr...

Thirty minutes into Waiting for Guffman, my stomach hurt from laughing. Like some of the most brilliant comedies of recent years -- Clerks, Living in Oblivion, and Flirting with Disaster, to name a few -- Waiting for Guffman reminds us of the true...

Wassup Rockers could easily be seen as an attempt by maverick director Larry Clark to approach the mainstream. With Kids, Clark began his directorial career mired in scandal. (The Weinsteins had to spin off Excalibur Films because Miramax was prohib...

An intriguing blend of globetrotting neo-noir and road trip plot elements, The Wedding Guest often seems on the cusp of greatness without ever getting there. The film classifies more as a disappointment than a success because, despite its litt...