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Bridget Jones's Diary is, quite simply, the finest motion picture released by Miramax Films since 1999's The Cider House Rules. Based on the novel by Helen Fielding, the screenplay for Bridget Jones's Diary (written by Four Weddings and a Funeral ...

It would be fair to characterize Bridget Jones’s Baby as a huge step up from the previous Bridget Jones outing, 2004’s The Edge of Reason, although it’s not quite in the same league as 2001’s Bridget Jones’s Diary. Why w...

At some point, Universal Pictures apparently recognized that the fourth Bridget Jones chapter lacks an audience. As a result, instead of opening it in U.S. theaters, where it likely would have sunk without a trace, they pivoted and dumped it onto ...

Bridget Jones' Diary was an unexpected delight: a witty, enjoyable trifle that touched the heart while tickling the funny bone. Sadly, Bridget Jones: The Edge of Reason isn't anywhere close to being that good. This has the feel of a movie that e...

Not since Krzysztof Kieslowski's A Short Film About Killing has a motion picture about capital punishment been so disturbing and compelling. Dead Man Walking has appropriated a controversial subject by giving pain and personality to both sides of t...

Dumbo is a perfectly adequate family film. While that may seem like damning with faint praise, keep in mind that this movie was never considered to be among Disney’s 2019 big guns. It fills a niche and does so nicely with a style and approac...

Although not much happens during the course of The Lost Daughter, the film’s tone exerts a powerful spell. A character study of a woman who’s neither as composed nor as affable as she initially seems, Maggie Gyllenhaal’s directorial debut ex...

Mary Magdalene occupies a curious middle ground between philosophical arthouse movie and Easter-themed faith film. Although generally true to Biblical traditions associated with the title character, the filmmakers avoid overt references to th...

My Summer of Love reserves the irony of its title for viewers who see the entire film. Yes, this is about the events of a summer, but it's up to the individual to decide whether what we're seeing on screen is love, a crush, co-dependency, or someth...

To call Eliza Hittman’s Never Rarely Sometimes Always “an abortion movie” is to do it a disservice. Not that such a description would be inaccurate – the film presents one of the most detailed, non-judgmental autopsies of the controver...