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Over the years, there have been countless cinematic tellings and re-tellings of the Arthurian mythos, ranging from the sublime (Robert Bresson’s Lancelot of the Lake) to the ridiculous (by intent: Monty Python and the Holy Grail). There have been...

eXistenZ, the latest from iconoclastic director David Cronenberg (Crash, Dead Ringers, The Fly), looks at the dangers of virtual reality. The movie seems to have been designed as a cautionary tale, and, as such, contains elements of pointed satire...

Eye in the Sky provides a comprehensive cross-section of the logistics, procedures, and tolls associated with something that’s now taken for granted in modern warfare: a drone attack. For the average citizen, this seems to be a relatively straightf...

Pretty pictures - that what The Fall has to offer. It's impossible to debate director Tarsem Singh's (or the single-monikered "Tarsem," as he prefers to be called) flair for the visual, and his four-year odyssey across more than two-dozen countrie...

As a stand-alone spin-off that takes us back to the enchanted world of Harry Potter, Fantastic Beasts and Where to Find Them provides an engaging two hours. As the beginning of a new fantasy/adventure series intended to span several chapters, its suc...

The biggest source of frustration with the sequel to Fantastic Beasts and Where to Find Them relates to it being a middle installment of a much larger story. As such, it’s a stepping stone from the introduction into a meatier narrative. It la...

Far from the Madding Crowd, based on Thomas Hardy's fourth novel (and the first to have widespread success), is precisely what one would expect from a big budget adaptation of a Victorian classic: stately, beautifully photographed, impeccably act...

Most films about characters with dementia focus on the impact the condition has on the afflicted individual’s loved one(s). The Father, however, attempts to present the situation from the perspective of someone suffering from dementia. To ac...

With a sly wit and a dark edge, director Yorgos Lanthimos plunges into the murky waters of early 1700s British politics, where few positions were more enviable and less stable than being the queen’s favorite (or, in Brit-speak, “favourite�...

Feast of July, which arrives under the Merchant/Ivory umbrella (Ismail Merchant having served as executive producer), is much like a big screen version of a double-length Masterpiece Theater episode. By turns tragic and beautiful, but always atmos...