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At one time, a new Brian De Palma film was something to be greeted with enthusiasm. The filmmaker, with his affinity for borrowing from the greats (Hitchcock in particular), understood how to put his own, modern spin on classic tropes. His rep...

Drop starts out with Hitchcockian flair and rides a dizzying wave of anxiety-based mystery until, like far too many underwritten thrillers, it falls apart with the arrival of an ending that is laughably absurd in concept and execution. What starts...

Reuniting director Todd Phillips with the actor whose name no one can pronounce (the inimitable Zach Galifianakis) would seem to represent an excellent cornerstone for another laugh-till-you-drop comedy. Add Robert Downey Jr., possibly the best Am...

Eagle vs. Shark appears to be vying for the Napoleon Dynamite audience. However, while there are superficial similarities, this production, from New Zealand writer/director Taika Waititi, is unlikely to achieve the same kind of embrace by geekdom ...

Although The Eclipse is technically a horror film, dealing as it does with issues of the supernatural, it has the heart of a romance and the tone of a drama. It's slow, thoughtful, and melancholy - at times seeming to forget that a ghost story is ...

Perhaps the most salient question to ask about England is Mine, an unauthorized, slightly fictionalized bio-pic of musician (Steven) Morrissey, is: who is the intended audience? Die-hard fans of Morrissey will most likely be disappointed by wh...

Mount Everest has been conquered. Since the day in 1953 when Edmund Hillary and Tenzing Norgay became the first men to stand atop the summit, thousands have successfully climbed the mountain. Their reasons for making the ascent are as varied as the c...

A moment frozen in time through the lens of a camera - that's one of many images director Jan Troell uses to cement the foundation of his new period piece, Everlasting Moments. The chronicle of a woman who lived and died in the early part of the 2...