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Renny Harlin, whose previous directorial efforts include Die Hard 2 and Cliffhanger, seems fond of big, explosive action pictures. Unfortunately, excepting his debut (the middle film in the Die Hard trilogy), plot coherency hasn't been a particula...

For parts of its running length, The Damned feels like it could be a lost gem: a below-the-radar horror film that stays true to its indie roots while generating sufficient scares to warrant a recommendation to genre fans. Sadly, although director ...

Reduced to its essence, David Cronenberg's A Dangerous Method is little more than an historical romantic tragedy. Since the film's three principals were pioneers in the field of psychotherapy, it goes without saying there's a lot of dialogue about ...

Roland Emmerich must dislike New York City. After all, this is the third time he has destroyed it. The Day After Tomorrow, an ode to an apocalyptic endgame of global warming, is an old-fashioned disaster film with modern-day special effects. It'...

For Krzysztof Kieslowski's North American followers, Decalogue has attained an almost-mythical status. Kept out of theaters because of a distribution faux pas (the North American distributor refuses to allow the films to be shown), Decalogue has r...

Dirty Deeds boasts a passably entertaining idea that is butchered in the telling. The underlying premise offers the opportunity for some Animal House/American Pie/Revenge of the Nerds-style entertainment, but the unfunny screenplay and inadequate ...

Showing great restraint and refusing to demonize the closed community in which the story transpires, director Sebastian Lelio has tackled the age-old tale of forbidden love and its implications for those who fight for freedom and choice while ...

It is universally acknowledged (at least by those who don't play with Transformers toys) that the best science fiction stories are those that use the devices of aliens, robots, and space ships to illustrate some greater truth. Star Trek (the TV se...

Disturbia is a nice little mystery thriller that takes a wrong turn on the way to its climax and morphs into a slasher movie. This abrupt change in tone is as jarring as it is unwelcome and transforms what could have been an effectively tense conc...

Warning: Significant spoilers starting in Paragraph #4. (But, in a case like this, do plot details really matter?) Danish filmmaker Lars von Trier has gone from Dogma to Dogville. The director's latest, a three-hour political allegory, has fu...