Search for Land

Evil Dead Rise, the fifth big-screen outing for Sam Raimi’s Deadites (they also had a three-season run on cable TV) tries to answer the question of whether The Evil Dead are strong enough on their own right to engage the viewer without the domin...

Artificial Intelligence has always been a common science fiction theme.  The Frankenstein-influenced concept of a human being giving life to a new entity - one that can think and act independently - has teased writers with its potential. Now, as...

Paul Roland’s Exemplum opens with a definition (not a bad idea considering how obscure the term may be to all but classical literature scholars): “EXEMPLUM: 1. An example or model. 2. An anecdote that illustrates or supports a moral point, as ...

The television series Fantasy Island was a TV staple in the late 1970s and early 1980s. Paired with The Love Boat, it ran for seven seasons from 1978 (when it arrived as a mid-season replacement) until 1984. The high-concept, low-intelligence ...

With a sly wit and a dark edge, director Yorgos Lanthimos plunges into the murky waters of early 1700s British politics, where few positions were more enviable and less stable than being the queen’s favorite (or, in Brit-speak, “favourite�...

Final Account may ultimately be more important for the voices it immortalizes than for its worth as a conventional documentary. The film’s mission is simple: seek out as many ex-Nazi survivors as could be found at the time of the production ...

If it's Disney (or its subsidiary, Miramax), it must be "inspired by true events." Or maybe it just seems that way. Those words, which appear in a caption at the beginning, are chose with care (more care than the similar preface to Hidalgo). Fin...

With some "mockumentaries" (or "meta-documentaries", "pseudo-documentaries", or whatever else you want to call them), it's best not to know beforehand that they're fakes. The opposite is true of Forgotten Silver, an inventive and wily project ma...

Freakier Friday isn't a good movie, but it doesn't really intend to be. That's because Disney's late-to-the-party sequel to its 2003 remake of the earlier 1976 version (itself adapted from the book by Mary Rodgers) is pure product without a hi...

Blumhouse has an uncanny ability to identify projects that sound compelling on paper but are less attractive when watched on-screen. Freaky is the latest of these. Originally dubbed Freaky Friday the 13th, the movie weds traditional slasher fi...