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The provocative and challenging Together is the sophomore effort from director Lukas Moodysson. Show Me Love, his feature debut, achieved a certain amount of worldwide acclaim during its international theatrical run during late 1999 and early 2000....

It's a hard thing for a filmmaker, even an accomplished one, to make a project "his own" when the original is well remembered as a vehicle for a star as big as Arnold Schwarzenegger. A mere 22 years have passed since the Schwarzenegger/Paul Vehoeve...

Traitor is an uncommonly intelligent espionage thriller that explores the moral and ethical dilemmas faced by agents who go deep undercover in the service of their country. For movies that revolve around terrorist organizations and acts, there a...

I don't have a lot to say about Transporter 2. It's a sequel that outdoes the original in terms of flair and outrageousness, but it will appeal to much the same audience. If James Bond is too tame for you, Frank Martin (Jason Stratham) is your ma...

The Transporter movies remind me of the Bond films of the '70s and '80s, in which each new installment tried to one-up its predecessor in terms of inventive and outrageous action set pieces. Without a doubt, Transporter 3 offers more innovative wa...

The Transporter is cinematic extravaganza for everyone who disdains wimpy movie elements like "plot" and "character development". This balls-to-the-walls action/adventure makes the average James Bond film look like something by Eric Rohmer. It’s...

With today’s cinematic focus squarely on gender-balanced films, it almost feels odd to encounter something so testosterone-driven. Nevertheless, Triple Frontier is less a shrine to masculinity than a callback to the themes embraced by the Jo...

When a director can take a reprehensible monster and, over the course of a scant 90 minutes, turn audience reaction from distaste to sympathy, that's the mark of an adept filmmaker. This occurs in Tsotsi, an emotionally honest tale of redemption t...

As movie-goers, we expect different things from big-budget summer blockbusters than we do from "normal" films. Considerations of theme and character become secondary to action and mind- numbing excitement. The plot is expected to be very basic...

From the outside looking in, I was dubious about how the filmmakers behind Twisters were going to handle a sequel-not-sequel to the 1996 blockbuster, Twister. With Bill Paxton dead and Helen Hunt not participating, there seemed to be no real p...