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A moment frozen in time through the lens of a camera - that's one of many images director Jan Troell uses to cement the foundation of his new period piece, Everlasting Moments. The chronicle of a woman who lived and died in the early part of the 2...

I want to give actor-turned-director Liev Schreiber credit for making his behind-the-camera debut a film that means something to him. One can easily see how Everything Is Illuminated could be a deeply personal effort. Unfortunately, the meaning a...

Failure to Launch fails at more than just launching. It fails at romance and comedy. It fails to make the lead characters interesting and their love affair believable. And it fails to develop a consistent tone that would enable viewers to suspend...

The negative buzz surrounding the troubled production of Fantastic Four might lead savvy viewers to approach the movie with apprehension. Perhaps surprisingly, it's no better or worse that the other superhero movies of 2015.  That says more ...

Because Fast Times at Ridgemont High arrived in movie theaters during the height of the '80s "teenspoitation" era, it has often been unfairly lumped together with Porky's and its successors and copycats. In reality, Fast Times is smarter and more per...

I will be surprised if this film does well in New York City. Yankees fans, accustomed to success, are still smarting from last year's humiliating debacle, and a romantic comedy that capitalizes on the Red Sox's triumph is unlikely to pack theaters ...

Despite some great acting, Film Stars Don’t Die in Liverpool is a largely unpleasant viewing experience and the downbeat tone isn’t helped by a narrative that flits back and forth in time without rhyme or reason, sometimes confusing the vie...

Despite embracing the tropes one associates with the Western, Michael Matthews’ Five Fingers of Marseilles transpires in an atypical locale: post-Colonial South Africa. Matthews reaffirms what Sergio Leone identified – the Western doesn’...

The Forest is a low-budget horror film that arrives in January with the usual low expectations associated with early year releases. Considering the movie’s undistinguished profile and limited marketing, it seems unlikely The Forest will gain mu...

The Fountain is Darren Aronofsky trying to be Stanley Kubrick. However, while Aronofsky is able to match Kubrick frame-by-frame for ending ambiguity, that's one of the few areas in which The Fountain keeps pace with 2001. Technically, this is an im...