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When J.J. Abrams released Cloverfield in 2008, it arrived cloaked in secrecy. Now, some eight years later, the film’s so-called “blood relative” (Abrams’ term, not mine), comes with a similar marketing strategy. Going-in, viewers are unlikely...

If elements of 1408 seem a little familiar, it shouldn't be a surprise. Here's John Cusack, once again having lodging problems (see also Identity). Here's a supernatural debunker faced with something that refuses to be debunked (see also The Reap...

There's good news and bad news about 2 Fast 2 Furious, the moronic follow-up to The Fast and the Furious and a contender for the worst movie of 2003. The good news is that it's better, albeit marginally, than Freddy Got Fingered. The bad news is th...

Note: This review contains spoilers for anyone who has not seen the Abigail trailer. If you have seen it, feel free to proceed…you have already been spoiled.Abigail is the latest movie to tackle the difficulties associated with balancing the nee...

Since debuting in a 1938 issue of New Yorker magazine, Charles Addams’ illustrated characters have become one of America’s most recognizable nuclear families. Although there have been approximately a dozen incarnations over the years, the ...

I'll never understand why studios sometimes choose to withhold films from critics. The lack of advance screenings of Aeon Flux establishes an expectation that the film is likely to be tough to sit through. It's the studio's way of throwing in th...

It’s not entirely clear when All I See Is You slides into a fog but it definitely happens. Is it because of all the hyper-stylized camera work that might have been okay in small doses but gradually becomes distracting and then downright irrit...

Here's one important rule about film criticism and review writing: the harder you have to think to find something noteworthy or laudable about a motion picture, the less likely it is to get a recommendation. So, although there are some things to ...

It’s not surprising that Angel Has Fallen exists. The first film in the series, Olympus Has Fallen, performed well enough ($100M domestic; $170M worldwide) to justify a sequel. London Has Fallen opened three years later to a less enthusiasti...

Going into Anora, I wasn’t sure what to expect but it certainly wasn’t a screwball comedy. Yet, following an explosively erotic, wild twist on the Pretty Woman cliché, writer/director Sean Baker guides his movie into an extended period of...