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Bucking the summer movie empty spectacle approach, Captain Fantastic is about something. Despite the title, which might stir images of a superhero story, this is a human drama about the bonds that hold and sever families and the conflict between two ...

With Carter & June, director/co-writer Nicholas Kalikow is aiming for a post-Tarantino thriller that incorporates violence and humor into a story about lowlifes, gangsters, and other assorted bottom-feeders, some of whom wear badges and c...

Whatever Will Ferrell may or may not be, one can never accuse him of lacking balls. The decision to release Casa de Mi Padre, Ferrell's latest starring vehicle, entirely in Spanish with subtitles, will be an acid test as to whether the actor's popu...

Despite being blessed with well-designed period sets and top-tier acting, this collaboration between Downton Abbey writer Julian Fellowes and director Michael Engler fails to take flight. I’m not one who normally issues demerits for a slow p...

In recent years, I have become jaded about superhero movies, a genre I once enjoyed. A sameness and lack of energy permeates them, especially the origin stories. There's something perfunctory and unsatisfying about many of the big titles, leaving i...

Thematically, James Ponsoldt’s The Circle (based on the novel by Dave Eggers) takes its cues from George Orwell’s 1984 and Aldous Huxley’s Brave New World. Grand aspirations, to be sure, and ones that are never truly met. From its beginn...

Seen in standard digital 3D. To employ a cliché, there's good news and bad news for Clash of the Titans fans. The good news is that the 2010 remake is an improvement upon the 1981 original. The bad news is that the degree of improvement is mi...

Cloverfield is to the monster movie as The Blair Witch Project was to the ghost story. This movie is going to divide audiences. There are those who will be unable to endure nearly 90 minutes of constantly moving hand-held camerawork. Some will e...

You know an animated film is doing something right when it brings tears to the eyes. Coco may not represent Disney/Pixar at its pinnacle but it’s close enough to the top to warrant consideration as the best computer-drawn film of 2017. Of cou...

In essence, Control is a standard order biopic of a tormented artist. What makes the film interesting, if not unique, is the style in which director Anton Corbijn has elected to present it. Rather than approaching the picture with the vivid psych...