Search for Mwork

A certain amount of credit must be given to the filmmaking team behind Shrek 2 for overcoming a seemingly insurmountable obstacle and producing an entertaining motion picture. That obstacle is the ending of the original Shrek, which neatly wrapped...

Seen in standard (non-IMAX) 3-D. When the first Shrek made its theatrical debut in 2001, it came accompanied by expectations normally reserved for sequels with impressive pedigrees. Unlike any previous animated endeavor, it was a magically irre...

Four words say all that needs to be said about Shrek the Third: more of the same. The problem is, what seems fresh and pleasing the first time through starts to feel a little stale by the time we've gone through it three times (not counting video ...

Every December, one of the major studios brings us a musical - something to lighten the spirits and brighten the holidays. This year, in the proud tradition of Chicago and Dreamgirls, we have Sweeney Todd: The Demon Barber of Fleet Street. With T...

Things We Lost in the Fire represents Danish-born Susanne Bier's first foray into studio-funded American cinema. The transition is seamless - Bier's signature style of simple shots and frequent close-ups remains intact and her choice of material f...

When it comes to Transformers, I have no ax to grind, pro or con. For me, it's just another loud, plot-deficient summer motion picture. In this case, nostalgia doesn't grip me - I'm too old to have played with the gadgets or watched the cartoon. ...

Just when it was starting to look like the concept of a "funny comedy" has gone out of vogue, along comes Pineapple Express and its cinematic cousin, Tropic Thunder. The latter film, which has emerged from the warped mind of Ben Stiller, is a litt...

The temptation is to think this: Just what we need - another PG-13 remake of an Asian horror film. These come along so frequently that they have become more like punch lines to bad jokes than serious cinematic endeavors. Not so fast, though. The U...

After a 10-year absence, Aardman Animation's foundation characters, Wallace & Gromit, have returned. The clay man and his dog, who were featured in three animated shorts between 1989 and 1995, were left out in the cold when Nick Park and his crew ...

One reasonable way to judge a romantic comedy is to ask how strong a rooting interest the viewer has in the coupling that is destined to occur at the end of the film. In Win a Date with Tad Hamilton!, the desire is lukewarm. The central flaw here...