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If Martian Child is the price film goers must pay in order to get Grace Is Gone, then it's a worthwhile trade. This low-key drama, the directorial debut of James C. Strouse, is the kind of opportunity that real actors relish. With a minimalist plo...

Grosse Pointe Blank should come with a warning against advertisement-induced expectations which might diminish a viewer's appreciation of the film. The previews and TV commercials make the movie look like a frothy romantic comedy. In reality, Gro...

Hunter Killer is not going to challenge Das Boot for the title of “best submarine warfare film of all time.” By tossing aside the reliable characteristics of the genre (claustrophobic atmosphere, sense of isolation, simmering tension), di...

In my review of Woody Allen's previous misfire, Melinda and Melinda, I wrote the following: "Lately, Allen's films have sunk into a state of heightened mediocrity - sporadically entertaining, but often disappointing, at least for those clinging to ...

The endless summer, when one day bleeds into the next to stock a catalog of memories… For many families, the summer vacation, whether at a lake or a beach, is an annual ritual – occasionally hated at the time yet looked on with fondness th...

Give the makers of Point Break credit - in reworking Kathryn Bigelow’s 1991 thriller, they didn’t go for a point-by-point revision. Director Ericson Core and screenwriter Kurt Wimmer opted to try something different. Unfortunately, differ...

The Science of Sleep is director Michael Gondry's feature follow-up to Eternal Sunshine of the Spotless Mind and, in many ways, it feels like an inferior cannibalization of the 2004 movie. Both movies spend lengthy sequences inside the protagonist...

We live in a world in which conspiracy theories abound, so it comes as no surprise that many thrillers incorporate governmental backstabbing, double-dealing, and cover-ups into the fabric of their story. In a time when paranoia and distrust of the...