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The Batman, a reboot of DC comics’ most popular character, brings the franchise back into the shadows successfully embraced by Christopher Nolan’s phenomenally popular take but without the fetishism of the Burton/Schumacher years or the excess...

Those whose only exposure to the Marvel and DC superheroes has come through the various live-action films that have been made over the last 40+ years may be unaware that a second, entirely separate series of animated productions have thrived (...

Filtered through a prism of Italian neo-realism, The Battle of Algiers is an unflinching portrayal of how high-minded ideals get trampled underfoot in the heat of war. The film is relevant to modern-day audiences not so much in the specificity ...

About halfway through Battle of the Sexes, I found myself wishing I was watching a documentary rather than a feature film. Some of the issues raised by the movie – mainly related to a culture that marginalizes women and the struggles of thos...

Timeliness can be important in a film’s release, but it’s rarely all-important. Consider The Beach House, for example. Here’s a movie about people trapped in a shelter-in-place situation by an unknown contagion that has infiltrated the a...

Let me start with a disclosure: I have not read the Alex Garland novel upon which The Beach is based, so I'm not in a position to discuss firsthand whether or not it butchers its source text (according to some reports, it does). The film represen...

Contained within Beasts of the Southern Wild are moments of fragile, understated magic that emphasize the relationship that exists even between the most neglectful, irresponsible fathers and their daughters. The problem with Beasts of the Southern ...

The Beat that My Heart Skipped is director Jacques Audiard's re-imagination of James Toback's Fingers. Although Audiard and his co-writer, Tonino Benacquista, have retained the premise and some of the ideas of the original, this is, for the most par...

There can be a lot of power in stories about addiction: the power to dishearten, the power to frustrate, and (on rare occasions) the power to uplift. Regardless of the substance at the core of the disease, movies about addiction follow a famil...