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If all that mattered in movie-making was that the end result was pretty to look at, I would be giving Brian De Palma's The Black Dahlia a rave review. There's no denying the film's visual virtues: the cinematography, the set design, the costumes, ...

1998's Saving Private Ryan introduced a new era of war movies. Gone are the bloodless tales of gallantry which portrayed the battlefield as a place where the fruits of bravery are victory. Replacing them are stories steeped in the gritty reality ...

For Black Mass, Johnny Depp has dusted off his A-game, which has lain dormant for far too long. The actor's transformative portrayal of Whitey Bulger reminds us that Depp, when motivated, can do impressive work. By inhabiting the character rather...

During the past year, several of the studios releasing superhero movies have upped their game, moving into new territory without tossing aside the tropes that differentiate comic book-inspired fare from its traditional action/adventure cousin....

Black Panther: Wakanda Forever is an overlong blockbuster in search of an editor. It’s a series of impressive action sequences without a compelling narrative to connect them. It’s a frustrating example of how financial success, not creative im...

The Black Phone is a throwback to a time when horror was more about fear and suspense than blood and gore. Oh, there’s some of the latter in the movie but far too little to sate the appetites of those who attend the genre purely to be entomb...

The best thing to be said about The Blackcoat’s Daughter is that it’s unconventional. The worst thing is that, for a horror film, it’s neither scary nor creepy. Writer/director Osgood (Oz) Perkins (the son of Psycho star Anthony Perkins), ma...

As horror/comedies go, The Blackening is one of the better ones. A satire in the same vein as Scary Movie, it uses barbed satire to skewer a host of horror movie tropes but does so with a specific perspective. Beneath all the gags, jokes, and ...

It’s redundant to say that a Spike Lee film is angry and unapologetic; Lee has never been one to shy from controversy and BlacKkKlansman, with its absurd elements and unrepentant social commentary, is no exception. Not given to soft-peddling ...

Japanese director Takashi Miike has spent a career bucking conventions and thumbing his nose at censors. From his first foray into directing in 1991, he has become a lightning rod for controversy – a role he enjoys. His films are bloody and ...