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Oliver Parker has made a career out of adapting Oscar Wilde, with versions of An Ideal Husband and The Importance of Being Earnest already on video store shelves. For his latest, Parker has turned his attention to what may be Wilde's most famous no...

The television series Fantasy Island was a TV staple in the late 1970s and early 1980s. Paired with The Love Boat, it ran for seven seasons from 1978 (when it arrived as a mid-season replacement) until 1984. The high-concept, low-intelligence ...

Get Out is a horror film but it’s not like any horror film that has reached theaters in a long time. To begin with, it’s rated R, and the R-rated horror film has become something of an endangered species in this era of PG-13’ing everything. The...

Applying the Groundhog Day premise to a horror movie is so obvious a conceit that I’m surprised it hasn’t been previously attempted. It’s a no-brainer. Unfortunately, director Christopher Landon and screenwriter Scott Lobdell have taken t...

Put Happy Death Day 2U together with its predecessor, Happy Death Day, and you could easily call the pair Dumb and Dumber. Whatever pleasures this comedy-tinged horror/thriller may have to offer, coherence and intelligence aren’t among them....

How to Lose Friends and Alienate People is an uneasy marriage of satire and romantic comedy. The film's inability to decide whether it wants to be sweet and life-affirming or vicious and nasty creates not only a disconnect on the story level but r...

This is what horror has become in 2018: a jump-scare fest where things like suspense and slowly-building dread have been pushed to the side. Darkness passes for atmosphere and intensity is bypassed because it’s too strong for the all-importa...

New Line honcho Bob Shaye has been in the news a lot recently, primarily because of an increasingly acrimonious feud with Peter Jackson over profits from The Lord of the Rings. With The Last Mimzy, Shaye steps back into the director's chair for th...

Have I ever before used the phrase “unspeakable dreck”? I don’t remember; maybe I was saving it up for this movie. It’s not the worst thing I have seen but it’s among the year’s most soulless, unentertaining slogs. The first M3GAN was ...

Big Hollywood productions aren't the only ones to rely on formula. For his feature debut, director Noam Murro has taken the safe route of enlisting the "redemption of the misanthrope" narrative. Everything one expects from such a tale is found he...