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Sometimes, within the bubble of film festival, a well-liked film can become a hot property. That may have been the case with Blindspotting, one of Sundance 2018’s darlings which is finally reaching theaters in the vacuum left by the departing...

Killing Them Softly is 2012's answer to Mean Streets. With a similarly uncompromising, gritty aesthetic to early Scorsese, Andrew Dominik's adaptation of George V. Higgins' Cogan's Trade takes a decidedly unglamorous look at the lives of small-time...

The difficulty with making a thriller based on actual events is that aspects of the film are often at cross-purposes. There’s a little of this going on in Eduardo Mendoza’s 2017 feature, The Last Hour, but, on balance, the historical elemen...

Consider this possibility: a romantic comedy with no nudity, no sex, and no kissing. In fact, there aren't even any declarations of love. The closest the female character comes to admitting her feelings is saying that she could have danced all n...

Distilled to its essence, Raya and the Last Dragon could best be called “quintessential Disney” in that it incorporates many of the tropes viewers have come to associate with the Magic Kingdom’s generic animated films. Although the film�...

Trade is a straightforward and uninspired look at the sex trade, where girls are kidnapped and forced into prostitution. To its credit, the film avoids titillation but, at the same time, it is so full of moral outrage that there's no sense of dram...

If John Wick or Payback is a gourmet burger, A Working Man is a Big Mac. A little tacky and neither nutritious nor memorable, the fast food staple nevertheless satisfies a craving while offering a helping of ephemeral, guilty pleasure. This film d...

Turning back the calendar to the morning of September 11, 2001 is a risky proposition for any director, and not to be undertaken lightly. Paul Greengrass succeeded brilliantly with his United 93 and now Oliver Stone, never one to back away from a ...