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If the goal with Moana is to make money, Disney is probably in a safe space. Almost all of the live-action adaptations of animated films have been financially successful to one degree or another, with only the reviled Snow White failing to break e...

Back in the 1990s, as Disney’s second golden age of animated movies surged, the company entered the sequel business, churning out follow-ups to their popular titles. For the most part, these represented inferior products and Disney knew it, but ...

A slickly-made exploitation film set during the War of 1812, Ted Geoghegan’s Mohawk is taut, bloody, and uncompromising – all with a dollop of social commentary thrown in for good measure. Like the recently released Hostiles (which is set ...

When it comes to using dialogue as a mechanism to drive a movie, few (not named David Mamet) are better than Aaron Sorkin with his rat-a-tat-tat approach and ability to craft monologues as living things. After having had a hand in writing some...

Serene. Beautiful. Untouchable. All of those words can be used to describe the subject of Leonardo Da Vinci's best-known painting, "The Mona Lisa." And, while almost everyone knows what she looks like, no one knows her story. Her life is a bla...

Money Monster wants to be more than just another mindless thriller. By building its foundation on a message about the dangers of playing the stock market roulette wheel, it seeks to inject substance into a genre overrun by action-driven popcorn films...

Moneyball illustrates what can happen when a non-fiction book that's more about ideas and processes is translated into a feature film. There's a lot of fascinating information in Moneyball (although, to be fair, it's questionable how much interest...

Monkey Man, the feature directorial debut of actor Dev Patel, is a blood-soaked revenge tale with a high body count that refuses to pull its punches to make the protagonist more likable. Although generally following a superhero “origin story” ...

The Monkey is in possession of a great trailer that the actual film doesn’t quite live up to. Nevertheless, Osgood Perkins’ radical reimagining of the Stephen King short story is plenty entertaining in its own right for those with a sufficient...

An understanding of how society uses - and, more importantly, misuses - the term "monster" offers crucial insight into the intentions of first time filmmaker Patty Jenkins. Without offering justifications or excuses, Jenkins seeks to provide some ...