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Reliability. Of all the qualities one could ascribe to the Mission: Impossible movies, that one is the most cogent. This has especially been true since writer/director Christopher McQuarrie (who seems to be Tom Cruise’s personal screenwriter)...

Ghost Protocol is the fourth big screen Mission: Impossible movie and the closest the 15-year old franchise has gotten to being an unofficial James Bond adventure. Globe-trotting and action-saturated, the movie offers everything a good 007 yarn sho...

2015 has been a banner year for action-oriented spy movies. One early entry, Kingsman: The Secret Service, was a Valentine to '60s British titles. A similar claim could be made about the upcoming The Man from U.N.C.L.E. In November, James Bond wi...

After 30 years and eight films, there’s a sense that the Mission: Impossible film series (itself a reworking of the venerable and popular 1960/70s TV series) may finally be played out. Since Christopher McQuarrie came on board and revitalized th...

For those who didn't get enough of James Bond late last year when The World Is Not Enough blazed its way into theaters, Mission: Impossible II offers a chance to once again get shaken and stirred. Oh, the film isn't an official entry into the dura...

Mission: Impossible III provides lots of action, but too little excitement. It generates lots of pyrotechnics, but too little heat. And it offers lots of Tom Cruise, but too little Ethan Hunt. In short, if you're yearning for a flashy, leave-you...

The Mist is what a horror film should be - dark, tense, and punctuated by just enough gore to keep the viewer's flinch reflex intact. In fact, that movie's ending is so uncompromising that one must assume director Frank Darabont had final cut so t...

Despite clocking in at a skinny 84 minutes, Mistress America overstays its welcome. Directed by Noah Baumbach and co-written by Baumbach and ex-mumblecore goddess Greta Gerwig, the film is characterized by long passages of self-conscious dialogue tha...

Gag. There must be something about the combination of Steve Martin and Nora Ephron that doesn't work. Anyone remember My Blue Heaven? (For that matter, does anyone want to remember My Blue Heaven?) Regardless of how dreadfully unfunny that Ma...

If Moana seems like a throwback to the animated Disney films of the late 1980s and early 1990s, it’s not a coincidence. Consider that directors Ron Clements & John Musker have on their resumes both The Little Mermaid (the movie that revital...