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Apparently, Shay Hattan’s original screenplay for Ballerina was considerably different from the final version – a stand-alone action/revenge film with no John Wick connections. One could argue that the movie might have been better that way...

Banana Split, the directorial debut of cinematographer Benjamin Kasulke, is a romantic comedy with a twist. Here, the central relationship is one of platonic friendship rather than physical attraction. (Although one could make a case that ther...

The quality and quantity of Israeli movie exports have increased significantly in recent years. Most of those features, while well-made, tend to be serious - not surprising considering the volatile situation those living there find themselves in. ...

The Bank Job is a heist movie in the classic tradition - it details every aspect of the caper, from its genesis to its aftermath. The fact that there's political intrigue and espionage swirling around the edges only makes it more fascinating. Dir...

Barb Wire has the cleavage of a Russ Meyer film without the jiggle. If someone was going to make a campy version of Casablanca, you'd think they'd at least have the decency to make it fun. Unfortunately, other than a couple of very obvious, ab...

For roughly two-thirds of its 100-minute running length, Barbarian is a top-notch excursion into the dark, twisty tunnels and catacombs of a mystery-cum-monster movie. The film’s overreliance on horror movie clichés during the final half-hour w...

Barbarians starts out as a tense psychological thriller unfolding against the tableau of a not-so-friendly dinner before morphing into something decidedly physical and creepy. Yet the home invasion that flips the movie at the halfway point doesn�...

For roughly one hour, Barbie is a delightful journey into a satirical world of pastels and fluorescents, where everything is awesome and pink rules. With its Lego Movie inspired approach to bridging the “real world” with that of dolls and toys...

In my original, unpublished review of Basic Instinct (dated March 21, 1992), I wrote the following: "There's a fine line between eroticism and exploitation, and Basic Instinct treads it, using nudity, sex, and violence to cover up the limitations o...

Who would have imagined that the most appropriate word to describe Basic Instinct 2 would be "boring?" This plodding, pretentious follow-up to 1992's hit replaces Paul Verhoeven's lurid, over-the-top style with the leaden rhythms of Michael Caton-...