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I was surprised at how much I enjoyed 28 Years Later: The Bone Temple. Over the years, I have grown bored with zombie movies. Watching this film, I got the sense that the same might be true of producer Danny Boyle (who directed the previous entry ...

In Ridley Scott’s All the Money in the World, Christopher Plummer’s performance is by far the best thing and the scenes in which he appears are the most compelling. The irony of those statements is evident since Plummer wasn’t in the ori...

It’s never a good sign when you’re checking your watch and the movie isn’t even half over. Unfortunately, that’s the case with Anemone, the directorial debut of Ronan Day-Lewis, which also marks the screen return of the now-unretired Danie...

Hey nonny nonny?One of the small pleasures in a romantic comedy replete with them (but generally lacking in what one might consider a “large pleasure”) is the recognition that Anyone But You is, in fact, a twisted and repackaged version of Sha...

Joe Wright's interpretation of Ian McEwan's Atonement proves that, when it comes to literary adaptations, he understands what he's doing. Wright’s previous feature was Pride and Prejudice, a significantly happier production than this one (althoug...

The thing to like about The Black Phone 2 is how it expands the canvas rather than simply tracing over the elements and plot points of its 2021 predecessor. The earlier film worked primarily because its suspense, dread, and level of viewer engagem...

The Black Phone is a throwback to a time when horror was more about fear and suspense than blood and gore. Oh, there’s some of the latter in the movie but far too little to sate the appetites of those who attend the genre purely to be entomb...

Bob Marley: One Love begins with an oddity: Ziggy Marley, the son of the title character and one of the film’s producers, appears on screen to inform viewers that what they’re about to see represents an “authentic” depiction of Bob Marley....

Adding a dash of gore and an undercooked romance can’t save this meandering road trip movie from slipping into monotony and boredom. The problem with Bones and All isn’t that it’s disgusting or shocking or transgressive; it’s that it’s a...

The usual function of the "revenge flick" is to allow the viewer to vicariously experience the brutal pleasure of executing that "dish best served cold." It's a basic case of good versus evil, with the former striking back against the latter. The...