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Bridget Jones's Diary is, quite simply, the finest motion picture released by Miramax Films since 1999's The Cider House Rules. Based on the novel by Helen Fielding, the screenplay for Bridget Jones's Diary (written by Four Weddings and a Funeral ...

It would be fair to characterize Bridget Jones’s Baby as a huge step up from the previous Bridget Jones outing, 2004’s The Edge of Reason, although it’s not quite in the same league as 2001’s Bridget Jones’s Diary. Why w...

At some point, Universal Pictures apparently recognized that the fourth Bridget Jones chapter lacks an audience. As a result, instead of opening it in U.S. theaters, where it likely would have sunk without a trace, they pivoted and dumped it onto ...

Bridget Jones' Diary was an unexpected delight: a witty, enjoyable trifle that touched the heart while tickling the funny bone. Sadly, Bridget Jones: The Edge of Reason isn't anywhere close to being that good. This has the feel of a movie that e...

Despite being blessed with well-designed period sets and top-tier acting, this collaboration between Downton Abbey writer Julian Fellowes and director Michael Engler fails to take flight. I’m not one who normally issues demerits for a slow p...

There’s a lot to like about this new version of Dune: the screenplay’s ability to pare down Frank Herbert’s complex, weighty novel without emasculating it, the epic scope, and the spectacle of the experience. Director Denis Villeneuve’...

In the past decade, only two live-action, mainstream musical motion pictures have been released. While the first, Little Shop of Horrors, met with some success, the second, Newsies, was a box-office disaster. The poor performance of the Disney-ba...

It's a tough thing for a dysfunctional-family-at-Christmas movie to avoid doses of melodrama, and it's fair to say that The Family Stone contains its share. But the nice thing about the movie is that it avoids overt manipulation. There's some - i...

One night in the early 1960s, a young boy is taken in by a West Texas family. He claims that he's lost, and, being the decent folk that they are, his benefactors decide that it's their responsibility to see that he's fed, bathed, and given a place...

There’s something enormously refreshing about the openness and honesty found in Keith Behrman’s coming-of-age film, Giant Little Ones. It recognizes that for many people, discovering a sexual identity isn’t as simple as recognizing an att...