Movies starring Emma

Peter Allen and Carole Bayer Sager wrote “No need to remember when, 'Cause everything old is new again.” Lately, that has become the Disney way: take a classic animated film and remake it into something that, although shiny and eye-po...

When I think of a “Jason Statham movie,” I think of The Transporter. Or Crank. Or The Mechanic – all relatively mindless (but enjoyable) thrillers that understood the appeal of their deadpan leading man: his ability to give and take physical ...

When word emerged from Cannes that Sofia Coppola had won the Best Director prize for her adaptation of Thomas Cullinan’s The Beguiled, a shiver of excitement coursed through the film-going community. Perhaps, after trying and missing three t...

In addition to having real emotional resonance and dramatic sweep, Beyond Silence (Jenseits der Stille) is one of the best-acted motion pictures of the '90s. Inexplicably, despite being nominated, Beyond Silence did not win the Best Foreign Langua...

Birdman (subtitled Or the Unexpected Virtue of Ignorance) is an ensemble film about theater life that occasionally takes time away from its dramatic/comedic narrative to skewer the pop culture sensibilities that have given rise to the so-called "mo...

The best thing to be said about The Blackcoat’s Daughter is that it’s unconventional. The worst thing is that, for a horror film, it’s neither scary nor creepy. Writer/director Osgood (Oz) Perkins (the son of Psycho star Anthony Perkins), ma...

Watching The Bling Ring, Sofia Coppola's exploration of today's "celebrity culture," is an uncomfortable - bordering on unpleasant - experience. The problem isn't the depiction of the underside of America's celebrity obsession but the manner in whi...

Throughout his long, respectable career, French auteur Eric Rohmer has been known for three qualities: a gentle touch, a simple style, and the ability to craft some of the most delectable dialogue ever to grace the screen. The magic of Rohmer's f...

It is said that films are not made about fully functional families because their stories are inherently uninteresting. The Boys Are Back shows that dysfunction doesn't necessarily equate to compelling. There's nothing terribly wrong with this lei...

At first glance, Brave seems much like an old-fashioned animated Disney princess film done using new-fangled technology. Most of the elements are in place: the plucky heroine, the faithful animal companion, a mysterious wizard, and a character-buil...