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Lisa Frankenstein is a bad Tim Burton movie with two unlikable main characters. A satirical tale of the high school-age romance between an undead serial killer (Cole Sprouse) and his weird enabler girlfriend (Kathryn Newton), the movie not only re...

If it wasn’t for the charisma and screen presence of 13-year old Marsai Martin (TV’s Black-ish), Little would be damn near unwatchable. The writing and directing are at best ‘90s direct-to-video and the film’s unwillingness to do anyth...

Watching Little Fockers is a depressing experience. Rarely does a comedy bring such an overpowering sense of sadness. Admittedly, I laughed a few times and am willing to admit that the experience as a whole was more bearable than the trial of sitti...

Little Indian, Big City, the American name given to Herve Palud's 1995 French fish-out-of-water comedy, L'Indian dans la Ville, is easily one of the most tedious viewing experiences of 1996. I came as close to walking out of this movie as anything...

It takes a deft hand to fashion a feel-good movie with plenty of laughs and an upbeat ending out of a story that includes drug addiction, a suicide attempt, a death, Nietzsche, and Proust. Despite treading through a minefield of tone shifts, co-di...

Little White Lies replicates the experience of going on a two week summer vacation with a group of self-absorbed Parisians. At times, it's amusing. At times, it's tragic. At times, it's romantic. But, like many vacations, it's way, way too long. Al...

Over the past few years, there have been a number of "behind the scenes" movies about the film making world -- enough, in fact, that this category almost deserves to be considered as a genre in its own right. Most of these films, like Mistress, a...

In 2013, after making Side Effects, Stephen Soderbergh announced his retirement from feature filmmaking. Over the next few years, he kept busy, primarily as the main creative force behind the TV series The Knick, which he directed, executive p...

There's a lot about Lola Versus that feels familiar, but the propulsion that escalates the film out of the low orbit of angst-riddled 20-something indie "comedies" is Greta Gerwig. The young actress, who began her career in Mumblecore before shifti...

When I see a romantic comedy, I’m not expecting Ozu or Bergman or Truffaut or Scorsese. All I want – and I think it’s a perfectly reasonable desire considering the genre – is to fall in love with the characters as they fall in love wit...