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Love Actually doesn't have a cynical frame in its celluloid. It's for all those romantics who think there aren't enough happy endings. Richard Curtis' movie dips so deep into the well of feel-good sentiment that it will threaten to send some audi...

Love, Simon is, at it’s core, a crowd-pleaser about an “average” high school guy who finds love in the most unlikely of places. Part romantic-comedy, part coming-of-age story, it recalls the more innocent “high school” films of the p...

It’s one of the oldest stories in the book – a mismatched pair, thrown together out of necessity, fight their way through a series of complications to find redemption and discover that their experiences have created a powerful bond between...

Saturday Night Live movies generally come in two categories: inspired comedies and woefully inept, borderline-unwatchable dreck. Unsurprisingly, considering the difficulty (not to mention the wisdom) of transforming a five-minute sketch into a 90-...

Machete Kills plays like a joke that's been told a few times too often. A lampoon of bad genre movies from the '60s and '70s with a '10s sensibility, the film is more like a collection of overcooked scenes than an actual narrative-based motion pict...

Mad Money is a comedy caper where the caper's not interesting and the comedy's not funny. Take away those elements and all that's left is a tepid female buddy movie and, like its male counterparts, we've had enough of those to choke a critic. It'...

Ah, the dinner party – that wonderful stand-by for so many European films. Over the course of my fifty-plus years on this planet, I have been to my fair share of these (usually tedious) soirees, and none have been anything like the ones pres...

Romantic comedies sell fantasy. Ultimately, that's their reason for being - to make even the most cynical heart crave true love. Some romantic comedies, this one included, fail because of an inability to convince the audience that the protagonists...

Maybe at some point, the idea sounded good. Funny, perhaps. Clever even. A fish-out-of-water comedy drenched in enough blood to earn it a solid R-rating. But if there was any potential in the initial inspiration, it was frittered away. J. Michael ...

Perhaps the most intriguing question associated with this movie is what to call it. Originally, the film bore the moniker of Jane Austen's Mafia, but, when test audiences were confused by the title (an inexcusable 90% of Americans claim not to kno...