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It’s in vogue to call some horror films “throwbacks,” but, at least in the case of Danny and Michael Philippou’s directorial debut, Talk to Me, it’s an accurate assessment. In recent years, the horror trend has been for “safer” movie...

Many of Orson Welles’ films have brilliantly stood the test of time. Chimes at Midnight, his final completed feature film as a director, is not one of them. A re-imagining of three of Shakespeare’s historical plays (with links to two more)...

Regardless of the genre, there’s an art to making a successful family feature. It involves crafting a storyline that’s straightforward enough to engage younger viewers yet sufficiently sophisticated that it keeps the attention of the paren...

In This Corner of the World is as atypical an animated feature as one is likely to find washing ashore in the United States. Although fare of this sort – hand-drawn, serious-minded, narrative-based – is common in Japan, where Studio Ghibli...

The Forest is a low-budget horror film that arrives in January with the usual low expectations associated with early year releases. Considering the movie’s undistinguished profile and limited marketing, it seems unlikely The Forest will gain mu...

Nostalgia - many movies (especially sequels to long-lasting franchises) trade in it to one degree or another. Few films, however, rely on its impact as strongly as The Peanuts Movie, the first big-screen outing for Charlie Brown & friends since 1...

Ant-Man, as obscure a superhero title as has been released since the inception of the so-called "MCU" (Marvel Cinematic Universe), may test the perception that Marvel can do no wrong. The general public knows Spider-Man, Iron Man, Captain A...

Even after nine years, you can't keep a good man down. The indomitable protagonist of 2000's surprisingly engaging Pitch Black and 2004's disappointing The Chronicles of Riddick is back for his third go-around and, if the open-endedness of the narr...

Had The Adventures of Tintin been a live motion picture rather than a motion capture-driven animated endeavor, it would have been compared to Raiders of the Lost Ark and Pirates of the Caribbean. As it is, however, with the cartoonish characters se...

Yes, Unknown is preposterous. That in and of itself is not a reason to avoid the movie. The problems lie in the way the absurdity is presented and the manner in which the screenplay resolves once the "truth" is revealed. Alfred Hitchcock rarely me...