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From its start, The Brutalist feels like an epic. Available to theaters in 35mm and 70mm formats (in addition to the ubiquitous digital) with an intermission built into the prints, it bucks the current trend of taking long-form stories and streami...

Calling Forrest Gump… Calling Forrest Gump… With The Butler, director Lee Daniels has managed to "Gump" the Civil Rights movement. That's not necessarily a bad thing but there are times when so many famous cameos threaten to become a distra...

Perhaps Michael Moore missed his calling. He could have been a preacher. And not any kind of preacher - a fire-and-brimstone, Jonathan Edwards sort. His movies ooze passion and come across like two-hour sermons. He doesn't just believe in what h...

When it comes to movies, I am not a crusader. Rarely do I find the content of a motion picture objectionable on ethical grounds. Then again, films as morally repugnant as Captivity don't come along too often (thankfully). There is no requirement...

I have a strong dislike for artificial drama - stories where the so-called "characters" are little more than pawns for the screenplay to move around like pieces on a chess board. Such is the unfortunate case with Chaos Theory, a bogus and unconvin...

There's a skill to adapting a novel that not all filmmakers have. This is especially evident if a book is not inherently cinematic and requires more "massaging" to shape it into a form capable of fitting comfortably into a two-hour time...

The decision to release The Cloverfield Project direct-to-streaming (DTS?) is not only a glimpse of how the future may look for middle-budget movies but a win-win for Paramount Pictures and Netflix. The studio has found a way to offload a whit...

You know an animated film is doing something right when it brings tears to the eyes. Coco may not represent Disney/Pixar at its pinnacle but it’s close enough to the top to warrant consideration as the best computer-drawn film of 2017. Of cou...