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Scott Hastings (Paul Mercurio), one of Australia's best ballroom dancers, is targetted for a number of championships until he abandons the Dance Federation's rigid steps in favor of his own moves. Horrified by his unorthodox behavior, his partner,...

Stronger is a based-on-a-true-story account of the post-terrorist attack travails of Jeff Bauman (Jake Gyllenhaal), who became to many the “face” of the 2013 Boston Marathon bombing victims. Immortalized by a photograph taken by Charles Kr...

It has apparently become an old-fashioned notion to believe motion pictures should be grounded in concepts like narrative and character rather than in how loudly the soundtrack plays classic rock songs and how many cuts the director can use in an ove...

Summer ’03 is a coming-of-age story characterized by comedy-infused drama and a decidedly female point-of-view. The time period can be deduced from the title but, excepting the way cars and cellphones look, things weren’t that different 15...

Supergirl holds the distinction of being the worst movie made during the Salkind Era of Superman (which began with 1978’s Superman and ended with 1987’s Superman IV: The Quest for Peace, although by then the Salkinds had sold the rights to Gol...

For decades, Superman was considered the brightest bauble in DC’s tiara (at least until that title was claimed by Batman). However, in recent years, that jewel has become tarnished as a combined result of neglect and malpractice. While audiences...

To date, the 1978 theatrical version of Superman remains the only motion picture based on a comic book to have a lush, epic feel. Developed by Godfather scribe Mario Puzo with reverence for the venerable superhero, Superman pays homage to the lege...

According to the original plan, Superman II was intended to be released six months after the original Superman (in fact, the end credits for Superman contain the following statement: "Coming Next Summer: Superman II"). The idea had been to film t...

Talk about movies that haven’t aged well… Seen a couple of decades into the 21st century, this 1983 relic is an embarrassment. Come to think of it, however, it wasn’t that great when it came out. There are three major problem areas: the scri...

If I wanted to be kind, I’d call Luca Guadagnino’s Suspiria remake “visually striking” and “stylish.” If I wanted to be brutally honest, I’d call it “tedious”, “pretentious”, and even “painful” (although not in a good ...