Movies in the Thriller genre

Memories of Murder, a 2003 thriller, marked South Korean director Bong Joon-ho’s calling card to the world of cinema. It preceded The Host, a monster movie that garnered international attention, and his two more widely seen films, Snowpierce...

Sitting down to watch Memory, I was prepared for yet another Liam Neeson-As-Righteous-Avenger movie (the kind of thing that has inexplicably become his bread-and-butter since the success of Taken). Much to my surprise, however, Neeson and director...

You know the old saying about putting lipstick on a pig? Well, that's pretty much what's happening with Timur Bekmambetov's Mercy, a tedious and preposterous whodunnit. It is so poorly scripted and negligently paced that the distributor (Amazon MG...

If there's one thing to be disliked about Mesrine: Killer Instinct, it's the inauspicious ending. Part One of a two-part saga (with the conclusion in Mesrine: Public Enemy Number One), the movie feels incomplete, which is unsurprising considering ...

Mesrine: Public Enemy No. 1 concludes the story begun in Mesrine: Killer Instinct. Although the two pieces can be seen as halves of a whole, it's not hard to understand why the project was bisected. Shootouts, prison escapes, and random acts of v...

When it comes to motion pictures, there are essentially two kinds of thrillers: visceral thrillers, which rely on action to generate tension and excitement, and intellectual thrillers, which burn more slowly but are often more satisfying in the end...

One thing is certain about Clint Eastwood: he doesn't play it safe. Two years ago, he surprised just about everyone (and gave his fans a collective apoplexy) by directing and starring in an ultra-sensitive tearjerker called The Bridges of Madison...

Midnighters takes a common situation – one fueled by too much alcohol and too little attentiveness while driving – and uses it as the jumping-off point for a series of events that puts a working class couple’s life into a tailspin. With ...

For some reason, there has been a move by a few critics to politicize their reviews of Mile 22, Peter Berg’s tightly-constructed espionage thriller. I guess one side-effect of living in a hyper-partisan era is that some films aren’t allowe...

Miller’s Crossing, the Coen Brothers’ third film (following Blood Simple and Raising Arizona) introduced the kind of comedically-tinged approach they would employ for some of their darkest and most compelling films, including the criticall...