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The first animated film from ILM is also the first memorable motion picture of 2011. Also, in a break from Hollywood's incessant race to surcharge parents to death by releasing anything bearing the "family film" moniker in 3-D, Rango is available i...

As far as I'm concerned, it's official: Hollywood has lost the art of how to make horror films. Consider this year's entries as Exhibit A - everything from White Noise to The Ring 2 has been horrible. There's not a worthwhile film in the bunch. ...

To describe The Ring, two adjectives leap to mind: spooky and lame. The former refers to the tone and atmosphere, which are about as good as it gets for a ghost story. The latter refers to the storyline, which is about as poorly constructed as c...

As thrillers go, The River Wild is a cut below a "white-knuckler," but it still has its share of spills and chills. Crafted by Curtis Hanson with considerably more style and substance than his previous effort, The Hand that Rocks the Cradle, The R...

It seems that once every dozen-or-so years, Sean Connery has the urge to go back into Bondage. After turning in his tuxedo and Aston Martin following 1971's Diamonds Are Forever, Connery ventured into the acting market as a free agent. His v...

Ron Howard is probably best known for making slick, well-produced, crowd pleasing motion pictures. From his early days behind the camera, with light fare such as Splash, to his most accomplished feature, Apollo 13, to his Oscar-winning A Beautiful ...

While the rules of the buddy/action comedy are significantly different from those of the romantic comedy, one key ingredient is common to both popular genres: that of chemistry between the leads. Unfortunately, while both motormouthed Chris Tucke...

It's hard to think of a sadder commentary about Hollywood's sequel fetish than the existence of Rush Hour 3. Dull, uninspired, and redundant, this third pointless movie in an action/comedy franchise that defines mediocrity doesn't even try to disg...