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Hidden Figures is an old-fashioned inspirational tale about the undertrodden overcoming. Based on real people, real times, and real events, the film uses the never-say-die attitudes of three women to provide a window into the racism and sexism that p...

Here’s a rare example of a Netflix prestige film that neither runs too long nor overstays its welcome. While some of the A-list directors working for the streaming distributor have taken the opportunity to meander and add bloat to otherwise ...

The Holiday is no vacation. Sloppy writing, an overindulgent editor, and poor casting have taken an intriguing premise and transformed it into an uneven mess. The movie follows the lives of two women at Christmastime who trade houses. One story,...

James L. Brooks' movies have often been characterized by a rambling quality, and nowhere has that been more evident than in How Do You Know, the closest he has come to a conventional romantic comedy. The problem with the film has little to do with ...

This certainly isn't the first motion picture to focus on father/daughter bonding, nor will it be the last. But I'll Do Anything has the distinction of being enjoyable and entertaining, while bringing a new twist or two to an old subject. No...

Some movies are simply made for women, and heterosexual men have no hope of appreciating them, I suppose. Do you like shoes? False sentimentality? Something that mistakes generalizations for insight? Then In Her Shoes is the film for you. Curtis Ha...

Undoubtedly, some reviews are going to describe Inception as confusing. Such a description confounds me, and may be more indicative of how accepting people have become of screenplays that allow for no ambiguity and traverse plotlines by blazing tr...

One of the biggest mysteries about the Robert Langdon movies is why they don’t work. Dan Brown has a large, built-in fan base. There’s no lack of talent in the productions. The director is Oscar winner Ron Howard (who was near the zenith ...

Christopher Nolan has never shied away from a challenge and the one he has taken on with Interstellar may be his most prodigious thus far - bigger than delivering an end-to-start chronology in Memento, more impressive than the mind-bending contortion...

For Nancy Meyers, whose Hollywood career began with screenplay and producer credits for Private Benjamin and whose first stint behind the director's chair occurred in 1998 with the Lindsay Lohan remake of The Parent Trap (back when Lohan was still ...