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When a movie invites comparisons to the work of James Cameron and Christopher Nolan, it’s apparent that the director (in this case, Gareth Edwards) has done something very right. The Creator may rely on numerous common science fiction concepts b...

Crimson Tide is a white-knuckler with a cop-out ending. It's a thrill-a-minute ride that concludes with a whimper, like a roller-coaster that has all the drops and twists early. Make no mistake, this is a good source of early summer fun, but with...

Perhaps a better title for The Da Vinci Code might be Much Ado about Nothing. When you boil away the hype and hysteria, all that remains is a pedestrian murder mystery that isn't sufficiently challenging or scandalous to raise anyone's hackles. I...

For most superhero franchises, the third movie is a trap. It's there that the Tim Burton/Joel Schumacher iteration of Batman started its rapid descent. It's there that the Christopher Reeve Superman saga had the wheels come off. It's there that Sam...

Consequences. In real life, these ramifications emanate from every action like ripples from a stone thrown into a pond. Often in movies, especially those that feature characters who don't play by the rules, such penalties are suspended. However,...

For longtime fans of the X-Men comic books, “The Dark Phoenix Saga” has been the Holy Grail. As crafted by Chris Claremont and John Byrne (with an assist from Dave Cockrum), the epic narrative, which was a major element of The Uncanny X-Me...

While watching Dear Evan Hansen, I was reminded of the 1994 film I’ll Do Anything. Originally designed as a musical (with eight songs by Prince), the decision was made in the editing room to release the Nick Nolte vehicle as a straight drama...

Ron Howard is unquestionably an A-list director, and his credentials are impeccable. When a filmmaker of Howard's status has a movie tossed into theaters during garbage time (January/February or August), it results in raised eyebrows and generates ...

More than 30 years after its initial release, The Dirty Dozen remains one of the most popular war films ever to grace the silver screen - a reputation that not even three bad made-for-TV sequels in the late '80s could tarnish. A quintessential "gu...

Driving Miss Daisy, the first movie to win the Best Picture Oscar during the decade of the 1990s, is, at its heart, a buddy film. Although some may see that as degrading something that addresses serious issues (like racism and anti-Semitism in...