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Analyze That delivers its share of amusing moments, but, when it comes to inventive or inspired comedy, it is lacking. The movie is funnier than a lot of what's available in multiplexes, but that's more a condemnation of the sad state of big scree...

The greatest asset evidenced by Harold Ramis' gangster comedy, Analyze This, is that it doesn't try too hard for laughs. Instead of force-feeding audiences stale, predictable jokes about mobsters and mayhem, Ramis is content to let the humor evolv...

For Rodney Dangerfield, the stand-up comedian whose catchphrase was “I don’t get no respect,” Back to School provided an opportunity to get more than his share of praise and adulation. The crowd-pleasing comedy grossed $91M, making it th...

Let me begin this review of the 2016 Ghostbusters remake by pretending there was no 1984 iteration. How enjoyable would the film be if it didn’t have such enormous baggage, if it didn’t emerge under the long shadow of a beloved predecesso...

Get ready for a deep dive into nostalgia. Ghostbusters: Afterlife, although boasting a next generation of Ghostbusters, works best for those who have seen (and at least somewhat remember) the original two Ivan Reitman films from the ‘80s. Althou...

The date is February 2 and the place is Punxsutawney, Pennsylvania. Pittsburgh weatherman Phil Connors (Bill Murray), on hand to cover the Groundhog Day ceremony, is having one of the most unpleasant experiences of his life. It's one of th...

There are those, including the distributor, who would like audiences to believe that The Ice Harvest is a comedy. At first glance, that's not so hard to accept. After all, director Harold Ramis was one of the Ghostbusters co-writers and scored a ...

Two weeks ago, I wrote that, while watching Land of the Lost, I felt a sense of depression. That feeling revisited me during Year One, an inexplicably unfunny comedy made by two people who have proven they can do much better: director/co-writer Ha...