Search for King

As his career develops, it may turn out that British maverick filmmaker Guy Ritchie has only the taste and talent to make one kind of film - but, if every salvo he fires is as snappy, funny, and energized as his initial two movies (Lock, Stock and ...

It's said one never forget the first time - first love, first kiss, first movie. That's certainly the case in Son of Rambow, in which one character's first cinematic experience, First Blood, opens up a world of new possibilities he had never dream...

The Space between Us is what it looks like when a promising premise is betrayed by a dumbed-down, hackneyed screenplay. Instead of developing this movie as a coming-of-age story of the first Earth-conceived child born on another planet, the narrative...

"People ask if this film is autobiographical, and many of the circumstances in it are but I've pushed them farther than they really went. It's personal, but not completely autobiographical. It was common in my home and my friends' homes to s...

Of Roger Moore's seven James Bond pictures, The Spy Who Loved Me stands out as the best. Stripped of the extreme silliness of The Man with the Golden Gun and packed with style, action, and wit, The Spy Who Loved Me ranks alongside the Connery...

Stand By Me reinforces something that has been understood in Hollywood for decades: nostalgia sells. With this film, it's "planned nostalgia," meaning that the production was designed from the beginning to encourage older audience members to look ...

Stardust, based on the acclaimed illustrated novel by Neil Gaiman and Charles Vess, takes viewers to the mystical land of Stormhold, where stars walk, ships fly, and magic is real. A fantasy in the tradition of The Princess Bride, Stardust leavens...

Starter for 10 is a mildly enjoyable romantic comedy that stays within the safe bounds of the genre's formula. This is a British film, which may make it feel a little quirky to American viewers. The problem with it, to the extent that there is a pr...

The three screenwriters (Matthew Michael Carnahan, Tony Gilroy, Billy Ray) credited with adapting Paul Abbott's mini-series into a motion picture have done something remarkable: reduce five hours of material into less than two hours and still produ...

Still Walking, the seventh feature from Japanese director Hirokazu Kore-eda, is a sublime experience. By "sublime," I don't mean "boring." Although the events depicted in the film cover the 24-hour span of an ordinary family gathering, there's a ...