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Seberg is a partly fictionalized account of the events in the life of actress Jean Seberg during 1969 and 1970. Seberg, who was discovered by Otto Preminger and cast as the lead in his 1957 Saint Joan, became an icon of the French New Wave aft...

Secretariat joins Disney's pantheon of sports movies about underdogs that defy odds and become champions. Of all the movies in this group (which includes Remember the Titans, The Rookie, Invincible and Miracle), this is the least effective, in lar...

By wedding comedy with tragedy in intricate, realistic unions, Mike Leigh has become one of the foremost film making voices for the British working class. Yet, even though his movies bring a certain social viewpoint to the screen, this in no way l...

Someone could write a compelling thesis about humanity's obsession with the apocalypse. Over the years, the cinema has exploited this affinity, most often in disaster movies. Lately, however, there has been a trend toward end-of-the-world films tha...

Seeking Justice is making a token theatrical stop on the fast track to home video (which is where the distributor, Anchor Bay, makes most of its money). A cheap and cheesy thriller that feels like it was (badly) adapted from a beach novel (although...

It's a curious thing that the best 1995 adaptation of a Jane Austen book happens to be of her worst novel. Sense and Sensibility was the author's first published work and, as is often the case with early writing efforts, displays an undeniable shal...

Watching The Sense of an Ending, I was struck by the realization that this should have been a good movie. Unfortunately, as is too often the case, something didn’t translate from the written page to the big screen. The source material, Julian B...

For about 75 minutes, Seven Psychopaths is a rollicking good movie - kinetic, clever, funny, and brutal. Then, inexplicably, it falls apart. Perhaps writer/director Martin McDonagh (In Bruges) didn't know how to end it, or perhaps his attempts to d...

As Shaun of the Dead illustrated, it is possible to make a horror comedy that is both funny and scary. Severance, while not nearly as successful as Edgar Wright and Simon Pegg's zombie movie, manages to mix in a few good gags with the requisite go...

In transitioning Sex and the City from the small screen to the big one, filmmaker Michael Patrick King (who was also one of the HBO show runners) chose not to make the movie inclusive. This is for the fans, and only for the fans. Those who lived a...