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My Life So Far is a pleasantly nostalgic look at a few transformative months in the life of a 10-year old Scottish boy. Brought to the screen by director Hugh Hudson and producer David Puttnam (who collaborated on Chariots of Fire), My Life So Far...

Movie-goers attend Ken Loach movies for a variety of reasons, but one of them is not to have a "feel good" experience. The reason? Loach consistently looks at believable characters in realistic situations. His pictures are not escapist; they're ...

My Summer of Love reserves the irony of its title for viewers who see the entire film. Yes, this is about the events of a summer, but it's up to the individual to decide whether what we're seeing on screen is love, a crush, co-dependency, or someth...

At first glance, My Week with Marilyn might seem like a salacious behind-the-scenes look at a mostly forgotten (yet high profile at the time) movie that had its share of off-camera drama. However, a closer examination of the film reveals an incompl...

Mike Leigh has always been known as a creator of exceptional, insightful character studies. Often, his films do little more than trace activities in the life of a person or persons over a several-day period. However, whereas comedies such as Life...

Nanny McPhee is an excellent movie… if you're a seven-year old girl. That's less a negative evaluation than it is a statement of fact. This isn't a "family film;" it's a "children's film." What's more, it's for girls who are old enough to unde...

When it comes to historical epics, Ridley Scott has a checkered past and Napoleon, his bio-pic of the early-19th century ruler of France, doesn’t change that. An uneven and historically questionable examination of the man behind the legend, the ...

To call The Nest an unhappy movie would be to understate the matter. There’s not a single cheerful, well-adjusted character in the production – not the venal, overreaching father, Rory O’Hara (Jude Law), or his wife, Allison (Carrie Coon...

It is an accepted truth that adapting a sublime novel does not always result in a sublime movie. To an extent, this is the problem with Never Let Me Go, Alex Garland's adaptation of Kazuo Ishiguru's book. The film's tone, which attempts to captur...

To call Eliza Hittman’s Never Rarely Sometimes Always “an abortion movie” is to do it a disservice. Not that such a description would be inaccurate – the film presents one of the most detailed, non-judgmental autopsies of the controver...