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State and Main offers prolific playwright/filmmaker David Mamet his latest chance to re-invent himself. Mamet, who is perhaps best known for his twisty thrillers (House of Games, The Spanish Prisoner) and tense psychological dramas (Glengarry Glen...

With Welcome to the Dollhouse and Happiness, Todd Solondz proved himself to be a daring filmmaker who will not shy away from provocative issues, even if they offend a large portion of his audience. Storytelling, Solondz's new film, is an inelegant...

The Sweet Hereafter is film maker Atom Egoyan's most compelling movie to date. Amplifying many of the themes explored in his previous outing, Exotica, the Canadian director/writer/producer shows the powerful effects of grief and anger on a com...

It's Dangerous Minds with dancing. That's the sinking feeling I got while watching Take the Lead, one of the year's most uninspired inspirational stories. Culled from the real-life experiences of Pierre Dulaine (Banderas), Take the Lead warps and...

Few movies are easier to review or define a recommendation. If you're a die-hard fan of either Jack Black or the band he formed with Kyle Gass, you'll likely love every moment of Tenacious D in the Pick of Destiny. For anyone else, the better choic...

It is a truth universally acknowledged that a single movie in possession of a good box office fortune must be in want of a sequel. (With apologies to Jane Austen.)There can be little other explanation why, some twenty years after the release of th...

A Thin Line Between Love and Hate is muddled to the point of tedium. The screenplay is credited to four writers, and its unevenness argues that none of them were on the same wavelength. Subplots start but never finish, characters come and go...

For thirteen days in 1962, from October 16 through October 28, the world teetered on the brink of nuclear war as the United States and the Soviet Union stood toe-to-toe, neither bending, each waiting for the other to blink. Despite public assu...