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Applying the Groundhog Day premise to a horror movie is so obvious a conceit that I’m surprised it hasn’t been previously attempted. It’s a no-brainer. Unfortunately, director Christopher Landon and screenwriter Scott Lobdell have taken t...

Put Happy Death Day 2U together with its predecessor, Happy Death Day, and you could easily call the pair Dumb and Dumber. Whatever pleasures this comedy-tinged horror/thriller may have to offer, coherence and intelligence aren’t among them....

With Heaven and Earth, Oliver Stone has completed his so-called "Vietnam Trilogy" - three films that examine different aspects of the war that, to this point, has provided the centerpiece of Stone's filmmaking career. The story begins in the vi...

In the tradition of Shattered Glass and Catch Me if You Can, The Hoax presents the anatomy of an audacious con artist and illustrates how the sin eventually catches up with the sinner. Due to an uneven tone, various unresolved plot threads, and a ...

It's surprising that Warner Brothers has elected to release such a bad movie in the midst of the hottest box office season - flotsam of this nature is normally unceremoniously dumped in February or September. There's hardly an area in which H...

How to Lose Friends and Alienate People is an uneasy marriage of satire and romantic comedy. The film's inability to decide whether it wants to be sweet and life-affirming or vicious and nasty creates not only a disconnect on the story level but r...

An Ideal Husband is a delightful parfait - an irresistible concoction of brilliant dialogue, sumptuous set design, top-notch acting, and a plot littered with Machiavellian twists. Possessing a light tone tinged with an acerbic accent, An Ideal Hus...

The chief pleasure to be found in any version of Oscar Wilde's play, The Importance of Being Earnest, is the dialogue, and Oliver Parker's re-interpretation is no different. All of the great lines are here: "The very essence of romance is uncertai...

There have been countless movies reflecting upon life in the 1960s. Most of those focus on the hippie movement, the civil rights explosion, and Vietnam. In the Shadow of the Moon reminds us that the '60s and early '70s weren't all gloom and unres...

This is what horror has become in 2018: a jump-scare fest where things like suspense and slowly-building dread have been pushed to the side. Darkness passes for atmosphere and intensity is bypassed because it’s too strong for the all-importa...