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Historical dramas aren't as popular as they were during the years when they were routinely clogging Oscar nomination lists and taking home awards, so it's a source of curiosity every time one comes out to see what concessions have been made to incr...

With The Queen, Stephen Frears has at least two items on his agenda: to humanize the head of the British monarchy while at the same time indicating how far removed she has become from the concerns of her subjects. He also poses questions about the...

My review of John Krasinski’s 2018 A Quiet Place called the movie “a superb exercise in understated terror that puts to shame ‘horror’ films that rely on jump scares and cheap theatrics.” It was one of the best films of the year and ...

Some Christmas films are designed as family-friendly romps that can be enjoyed by all as a holiday confection. (Perfect example: A Christmas Story.) Others are adult-oriented fare that might make the Grinch blush. (Perfect example: Bad Santa.) Then...

If one was to ask Morgan Neville, the award-winning director of Roadrunner (full title: Roadrunner: A Film about Anthony Bourdain), what the movie is about, he would likely respond something along the lines of “the life of celebrity chef, ad...

Ron Howard is probably best known for making slick, well-produced, crowd pleasing motion pictures. From his early days behind the camera, with light fare such as Splash, to his most accomplished feature, Apollo 13, to his Oscar-winning A Beautiful ...

Spoiler warning: In discussing the movie, I have revealed more about the plot than I normally do, including a brief, oblique reference to the ending. Although Shame is not narrative-driven, those who want a "pure" experience may wish to read no fur...