ReelViews for PG-13 movies

Call Project Almanac a "shaky-cam special", and it's a damn shame. The resultant production, both shaken and stirred, transforms a potentially entertaining pulp time travel story into a misbegotten exercise in frustration. It takes what...

I wish there were more movies like Project Hail Mary – films that tease the intellect while appealing to emotion. A science fiction tale that focuses primarily on existential elements rather than space opera ones, the film gives a more believabl...

Spoilers, I suppose… Sony is releasing Prom Night under their "Screen Gems" imprint. Gems? More like turds. By its nature, the slasher film is not a terribly deep or complicated effort. To be successful, all such a movie needs is a sympath...

Despite its awkward and uneven elements, The Prom offers enough high-energy moments to be seen as a passable motion picture adaptation of the stage play written by Bob Martin and Chad Beguelin. As movie adaptations of musicals go, this one is ...

What begins as seemingly an old-fashioned war film set during the waning years of the Ottoman Empire quickly turns into a dark exploration of the Armenian genocide. This litany of atrocities, unknown to many today and denied by the Turkish gov...

Chen Kaige's The Promise is a beautiful film, filled with stylized, CGI-enhanced foregrounds and backgrounds that look like they were lifted directly from fairy tale-inspired paintings. There's not much about the look of The Promise that's realist...

Maybe it's my math/engineering background, but I found Proof to be fascinating both on the stage and on the screen. Actually, appreciation of the film demands little math knowledge (aside from recognizing that a "proof" is a logical set of equatio...

The Proposal is a standard-order, by-the-book romantic comedy that offers nothing remotely fresh or new while following a formula even neophytes know by heart. For some people, that's enough. All a certain segment of the audience wants from roman...

Pulse is the latest Japanese horror film to receive an English-language remake. Not having seen the original, I can't make comparisons, but I can state that this is the worst translation within the genre to date, outdistancing such worthy contende...

It's interesting to note that two of the best films I've seen theatrically in 1996 weren't made this year. In fact, they weren't even made this decade. The first, Martin Scorsese's classic, Taxi Driver, is celebrating its twentieth anniversary. ...