ReelViews for PG-13 movies

Welcome to a world where Father knows best, where Mother cooks dinner, and where Sister and Brother's small missteps are treated with stern-but-kind lectures. It's a realm where everyone is nice to one another, where neighbors greet each other...

Give the makers of Point Break credit - in reworking Kathryn Bigelow’s 1991 thriller, they didn’t go for a point-by-point revision. Director Ericson Core and screenwriter Kurt Wimmer opted to try something different. Unfortunately, differ...

Upon its 1982 release, a single notable characteristic could be attributed to Poltergeist: in an era when horror was increasingly being dominated by R-rated slasher movies, it maintained a more child-friendly PG rating. (Note: By today's standard...

Pompeii is a big, glorious, cheesy mess. A fusion of Gladiator and Dante’s Peak, it can’t decide whether it wants to be an action film about coliseum combatants or a disaster flick. Predictably, by trying to be both, it ends up being good as ne...

Irwin Allen would be proud. Poseidon is a throwback - a 1970s-style disaster film made with 2006-era special effects. The movie delivers in most of the ways that matter for a motion picture of this ilk, with Poseidon never trying to be something ...

These tough economic times, with the national unemployment rate inching toward double digits, would seem to offer the perfect opportunity to release a movie about the difficulties faced by a recent college graduate in obtaining not merely the "perf...

If one looks back at U.S. history during the 1970s, the importance of The Washington Post immediately becomes clear. The paper, which began the decade as just another local daily with little national prominence, concluded it as an important b...

There are two ways that you can look at Kevin Costner's The Postman (not to be confused with the former Oscar contender of the same name, starring Massimo Troisi). The first is that it's a muddled but occasionally-brilliant lampoon of epic motio...

A Prairie Home Companion is proof that age has not caused director Robert Altman to turn toward conventional, crowd-pleasing forms of cinema. Despite a folksy, low-key appeal, this movie is likely to primarily interest fans of Garrison Keillor's p...

Finally – for the first time since the original 38 years ago – a Predator movie I can enjoy. The reason is simple: it finally breaks the formula. The previous Predator films have largely lived in the shadow of the 1987 John McTiernan/Arnold Sc...