ReelViews for PG-13 movies

If there was ever an action movie that didn't warrant a sequel, it's Speed. However, the film grossed enough money to be numbered among the big summer hits of 1994, and the unfortunate result is this film, which reunites director Jan de Bont wit...

Recent times have been good to Marvel comics, and the long-anticipated arrival of Spider-Man represents the latest step up the ladder. Long the underdog in the motion picture arena, Marvel has at last been able to catch up to rival DC comics by pl...

Spider-Man 2 has all the elements of a good, but not great, superhero motion picture. While lacking the tragic grandeur that made last year's Hulk such a unique experience, Spider-Man 2 fills the void with solid character development, self-referen...

The Spider-Man series, which debuted in 2002 and continued in 2004 and 2007, represents the first superhero cycle to complete a trilogy with the same primary cast and production team it had at the beginning. If nothing else, that assures viewers o...

Spider-Man: Homecoming is two movies for the price of one. The first is about a socially awkward high school sophomore navigating the difficulties of being a teenager while trying to hold onto his “internship”. The second is about one of M...

This review contains significant spoilers for “Avengers: Endgame” and minor spoilers for “Spider-Man: Far from Home.”Spider-Man: Far from Home works best when viewed as an epilogue to Avengers: Endgame (and, by extension, the entire MCU...

Note: This review contains no overt spoilers beyond what can be found in the trailers and other officially sanctioned publicity material. However, if you read between the lines, you may sniff out a few things. Proceed with caution. Spider-Man: No ...

The Spirit is an example of what can happen to a comic book-inspired movie when the sense of style becomes so pervasive that it overwhelms everything else, including an unremarkable superhero adventure. Unfortunately, the eye candy quickly grows st...

Unimaginative horror movies are a dime a dozen, but overlong, boring, unimaginative horror movies? Those are rare. However, in Split, that’s what writer/director M. Night Shyamalan has provided the early 2017 movie-going populace. Since his suc...

The cinematic landscape has become so cluttered with the biopics of musical legends (and a few that fall into the “legends in their own mind” category) that the tendency is to shun these chronicles of hard times and inner struggles in favor of...