ReelViews for PG-13 movies

Those who were regular viewers of Veronica Mars recognize there's an immense wellspring of charisma available to Kristen Bell that she has thus far been unable to tap in her post-Mars career. When in Rome, despite being a standard-order romantic c...

Although Where’d You Go, Bernadette suffers from an ungainly structure and uneven pacing, the production as a whole is engaging and uplifting. This is due in part to the strength of the cast but also owes something to director Richard Linkla...

Whip It, the directorial debut of actress Drew Barrymore, is a sports film that uneasily straddles the divide that exists between comedy and drama. Built upon a mountain of clichés, the screenplay wallows in artificiality and, although some of th...

White House Down is what it's advertised to be: a Roland Emmerich Film. Those familiar with the director's work won't be surprised by anything in the movie. It follows the Emmerich template: a spectacle-tinged, compelling setup; a dumb, disappointi...

For our cinematic introduction to the year 2005, I can offer an alternative two-word title to the one selected by Universal Pictures: Utter Crap. (There are more colorful possibilities, but I like to think of this website as family-friendly.) At le...

White Oleander is a flower - a hearty-but-poisonous flower whose beauty makes it appear deceptively fragile. This blossom, which appears several times throughout the film that takes its name, is a perfect metaphor for Ingrid Magnussen, the charact...

I might have felt sad about what director Howard Deutch and screenwriter George Gallo have done to the characters from The Whole Nine Yards if I cared about them in the first place. The problem with a movie like Jonathan Lynn's 2000 noir comedy is...

When attempting what is often deemed the most unnecessary of cinematic projects, the remake, a filmmaker can adopt a nearly identical plot but still generate an inferior product. Such is the case with Neil LaBute and The Wicker Man. LaBute isn't ...

Wild Hogs is more tired, worn out, and sagging than its protagonists - an arthritic comedy whose humor is below mediocre and whose drama is cringe-worthy. Were it not for the marketability of its stars, this movie would be headed directly for Netf...

Love in tennis doesn't have to be bad, as Richard Loncraine's Wimbledon shows. A formulaic motion picture that delights in spite of (or perhaps because of?) its reliance upon conventions, Wimbledon is the kind of movie that allows the non-cynical ...