ReelViews for PG-13 movies

When it comes to The Simpsons, longevity is an asset few can ignore. 18 years old and counting, the TV series has carved its niche into pop culture. Most of today's high school students hadn't been born when The Simpsons debuted as filler on Trac...

Sing Street is John Carney’ Valentine to the people and places of his youth and the varied and oft-maligned music that defined the 1980s. Carney infuses the familiar framework of the “coming of age” story with songs and whimsy and a touc...

The strength of The Sisterhood of the Traveling Pants 2, like its unnumbered predecessor, lies in the appeal and complexity of the characters. The four friends who form the backbone of the narrative are warm, believable individuals. We like them. ...

The scenery is great, the actors are appealing, and the special effects are suitably low-key… all that's missing from Ivan Reitman's Six Days, Seven Nights is a plot with a moment's originality. This movie takes chunks from Romancing the Sto...

With his third feature effort, writer/director M. Night Shyamalan has taken a huge step in the wrong direction. After showing great strides of maturity between his ineffective debut, Praying with Anger, and 1998's appealing Wide Awake, Shyamalan h...

The Skeleton Key is the latest of the new breed of PG-13 "horror" movies that emphasize atmosphere and "boo" moments over gore. This film, which is not a re-make of a Japanese production (as many of these pictures are), maintains an internal logic...

No subset of the horror genre has created a higher percentage of dogs than the werewolf movie. Since The Wolf Man reached screens in 1941, it has become possible to count the number of good films about lycanthropy on the fingers of one hand. The ...

Skyfall can take its place alongside From Russia with Love, Goldfinger, and On Her Majesty's Secret Service as the best Bond can offer. With an Oscar winner at the helm and Oscar winners in two prominent roles, Skyfall overflows with talent but, as...

After the release of their first high-profile directorial effort, Aliens vs. Predator: Requiem, co-directors Greg and Colin Strause publicly lambasted Fox for ruining their movie. Now, three years later with Skyline, they have an opportunity to sh...

It would be fair to say that Skyscraper does what it sets out to do but the unambitious agenda isn’t something I’m especially interested in watching. A dumbed-down Die Hard with a Towering Inferno infusion, the film exists solely as a showca...