Search for Oliver

Finally, the entire Barrytown Trilogy has made it to the screen. The process started back in 1991, when Alan Parker made The Commitments. It continued in '93, when Stephen Frears filmed The Snapper. Now, with the addition of 1996's The Va...

It's a pleasant thing to encounter occasionally a movie in which people are portrayed as decent (if flawed) individuals. In The Visitor, there are no human villains. No one wears a black hat. The antagonist is The System - the nameless, faceless...

It would be grossly unfair to criticize W. as a hatchet job - it's too clumsy for such a description to apply. This movie frequently feels like the shotgun marriage of Nightline and Saturday Night Live. Superficial, uninformative, and inert, this...

One phrase - perhaps the best-known one from any 1987 release - encapsulates a critical component of '80s culture that once again crept to the fore in the late-'00s. I am, of course, referring to Gorden Gekko's "Greed… is good." A vice transfor...

There are times when iconic characters should be left alone to bask in the glory of a single appearance and, unfortunately, that's the case with Gordon Gekko. The supremely charismatic, magnetically villainous central figure from Oliver Stone's 19...

After a 10-year absence, Aardman Animation's foundation characters, Wallace & Gromit, have returned. The clay man and his dog, who were featured in three animated shorts between 1989 and 1995, were left out in the cold when Nick Park and his crew ...

Consider it Free Willy with the Loch Ness Monster. It's that kind of family-friendly movie - one that focuses on the friendship between a lonely boy and an animal. In this case, the animal happens to grow up to become Nessie. The story is clever...

Calling The Wedding Date a "romantic comedy" is a misnomer. It's not funny, and there's not much romance. Oh, the film thinks it's got humor - offbeat characters, wacky situations, goofy faces - but the only members in the audience likely to be c...

Wildling starts out strongly but the qualities that make the first 20 minutes engrossing and harrowing drain away and the movie morphs into a thoroughly unsatisfying excursion into fantasy-tinged horror. As directed by first time feature film...

Turning back the calendar to the morning of September 11, 2001 is a risky proposition for any director, and not to be undertaken lightly. Paul Greengrass succeeded brilliantly with his United 93 and now Oliver Stone, never one to back away from a ...