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One Fine Day has all the ingredients of an enjoyable romantic comedy: a decent premise, likable leads, and a solid supporting cast. The problem is, instead of throwing the two main characters together and giving them an opportunity to get to know...

It seems that hardly a year goes by without a new cinematic adaptation of one of Shakespeare's plays, and, of late, Kenneth Branagh's name has become intimately entwined with that of the Bard. While Branagh, who helmed Henry V, Much Ado About Noth...

Will Ferrell's recent resume isn't anything to get excited about: Land of the Lost, Step Brothers, Semi-Pro, Blades of Glory. There's a sameness to all of them, not only in that the Ferrell characters are difficult to differentiate from one anothe...

Owning Mahowny casts an unflinching gaze into a window of addiction of a sort not often portrayed in movies. Based on the true-life book "Stung" by Gary Stephen Ross, the film chronicles the facts of the case of a Toronto bank vice president who s...

Pay It Forward couldn't have more obvious aspirations if the filmmakers announced them. Featuring a top-notch cast; an adept script that meshes tragedy, light comedy, romance, and melodrama; and the kind of overall optimism that is a perfect tonic...

Since the end of the Vietnam War in the early 1970s, numerous motion pictures have attempted, with varying degrees of success, to capture one or more aspects of the most contentious American conflict of the 20th century. From this crop, three stand...

The Proposal is a standard-order, by-the-book romantic comedy that offers nothing remotely fresh or new while following a formula even neophytes know by heart. For some people, that's enough. All a certain segment of the audience wants from roman...

Even after nine years, you can't keep a good man down. The indomitable protagonist of 2000's surprisingly engaging Pitch Black and 2004's disappointing The Chronicles of Riddick is back for his third go-around and, if the open-endedness of the narr...

Safe House is an overlong, underwhelming knock-off of The Bourne Identity - another generic spy thriller in which the "bad guy" (a traitor) is the good guy (because he's at war against corruption) and the "good guys" (government agents) are the bad...

Savages is a drug-fueled crime delirium that doesn't break much new ground in the genre but offers a volatile concoction of violence, heroism, and amorality that is compulsively watchable. The director is Oliver Stone, a filmmaker often associated ...