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With 2003's Freaky Friday, Walt Disney Pictures is again cannibalizing its past. This is the third time the Magic Kingdom has turned out a version of Mary Rodgers' novel. The first instance, in 1976, starred Barbara Harris as the mother and Jodie...

Get Out is a horror film but it’s not like any horror film that has reached theaters in a long time. To begin with, it’s rated R, and the R-rated horror film has become something of an endangered species in this era of PG-13’ing everything. The...

The name of "Ziegfeld" is known to many who have never heard of Florenz Ziegfeld Jr. Even 80 years after the final show was produced, "The Ziegfeld Follies" remain among the best-known high class song-and-dance stage spectacles to grace Broadway. ...

Anne Fletcher's Guilt Trip is essentially a mismatched buddy road comedy. That's a genre as old as the cinema and it can't be said that Guilt Trip does anything sufficiently interesting to warrant notice (unless you count Barbra Streisand dropping ...

Applying the Groundhog Day premise to a horror movie is so obvious a conceit that I’m surprised it hasn’t been previously attempted. It’s a no-brainer. Unfortunately, director Christopher Landon and screenwriter Scott Lobdell have taken t...

Put Happy Death Day 2U together with its predecessor, Happy Death Day, and you could easily call the pair Dumb and Dumber. Whatever pleasures this comedy-tinged horror/thriller may have to offer, coherence and intelligence aren’t among them....

With Heaven and Earth, Oliver Stone has completed his so-called "Vietnam Trilogy" - three films that examine different aspects of the war that, to this point, has provided the centerpiece of Stone's filmmaking career. The story begins in the vi...

In the tradition of Shattered Glass and Catch Me if You Can, The Hoax presents the anatomy of an audacious con artist and illustrates how the sin eventually catches up with the sinner. Due to an uneven tone, various unresolved plot threads, and a ...

It's surprising that Warner Brothers has elected to release such a bad movie in the midst of the hottest box office season - flotsam of this nature is normally unceremoniously dumped in February or September. There's hardly an area in which H...

How to Lose Friends and Alienate People is an uneasy marriage of satire and romantic comedy. The film's inability to decide whether it wants to be sweet and life-affirming or vicious and nasty creates not only a disconnect on the story level but r...