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One of the most anticipated releases of the 2006 holiday season is the latest offering from Mexican director Guillermo del Toro, whose previous credits include The Devil's Backbone, Blade 2, and Hellboy. With Pan's Labyrinth, del Toro opens a lands...

Critics writing reviews of Panic Room will likely delve into the cliché bag and pull out some of these familiar phrases: pulse-pounding, edge-of-the-seat, white-knuckler, thrill-a-minute, etc. However trite those sayings might be, they are ap...

Parallel Mothers, Pedro Almodovar’s 15th movie since exploding onto the international scene with Women on the Verge of a Nervous Breakdown, is two movies crammed into one and both suffer at least a little by having to share time with the other. ...

The familiar looks different at night. Incandescent lights don't quite chase away the shadows with the effectiveness of the sun. The rooms and hallways of a home, so comforting at noon, can become cloaked with unease past the witching hour. This...

Regardless of how it performs at the box office, this much is clear: Paranormal Activity 2 is a mistake. The clumsy and obvious byproduct of the financial success of its predecessor last Halloween, this movie has no reason for existing except to p...

Paranormal Activity 3 is one of those obligatory sequels: films that use an existing template and attempt to populate it with different actors and new ways of scaring audiences. There are two significant problems with this approach here: the "first...

They could have called this Paranormal Inactivity. It's a rare horror franchise indeed that manages to remain fresh and creepy by the time it arrives at installment #4. Paranormal Activity, despite a terrific beginning, quickly grew stale and r...

It never fails to amaze me that something as essentially light and pointless as Disney's remake of The Parent Trap can clock in at over two hours in length. This is one of those movies that has difficulty sustaining any kind of comic or dramatic m...

Passengers is an art-house science fiction movie that somehow got made by a major studio with A-list stars. The film owes more to castaway stories than traditional spacefaring tales and, at least during the first half, it’s ripe with existentia...

What is the difference between a bad melodrama and a good one? The key lies in the emotional response. If the viewer feels that he or she is being forced into reacting in a particular way because of "button pushing," the film makers have erred. ...